| |
| |
|
Poetry Information |
|
Rocks
Take some time to stop and look at nature. Pick up a rock or two and think about where it might have started out and what it might have gone through to end up where you found it. Rocks The smoothest rock is the one Copyright Fran Watson February 2005 Fran Watson
MORE RESOURCES: Unable to open RSS Feed $XMLfilename with error HTTP ERROR: 404, exiting |
|
|
|
RELATED ARTICLES
You Lost Your Last Gamble and Me I will never think twice nor will I roll the dice When it comes to my life I will take my Grannio's adviceYou play the hand you're dealt when it comes to who will be your Dad - But if you bluff about a card's face value for too many years you forget you had - No Aces or King of Hearts in your original deck - But rather a worthless Joker-So Wild and Mad.. Elizabeth Barrett Browning: A Discussion of How Do I Love Thee? "How Do I Love Thee?" by Elizabeth Barrett Browning was written in 1845 while she was being courted by the English poet, Robert Browning. The poem is also titled Sonnet XLIII from Sonnets From the Portuguese. Lima, City with the Stretched out Wings [In English and Spanish] Lima, City with the Stretched out WingsIt's an ink-black night: no stars: a moon in sightJust dots of: red, green and white-white lightsAs the plane descends, descends, slides down On the long-drawn-out-spun-out lingering city of lights Uneven as a crumbled cake, lit up like a Christmas tree-The sleepless city, with its stretched out wingsStretching from the mountains to the sea-Winding through the valley's, forests, and streams Stretches, stretches its naked wings-endlesslyAs,I'm descending, down, over and around the city(descending, descending, and sliding to the ground)The city with stretched out wings-and endless lightsDown, behind, around, the ground, it's immune to meI'm just part of its evening, a baptism in its inky seaInvisible people: cats, dogs, birds, and rats-infiniteUncountable: dots; streams of lit dots, dot-lights;People: walking, talking, sleeping, eating by the dotsPeople: waiting, killing, robbing, praying, by the dotsFor tomorrow, tomorrow and another tomorrowThey say-:you are ruthless, and I know this to be trueAnd they tell me you have thieves and murders-And this, I dare say-but shall-is also true, very trueBut show me a city to the contrary of eight-million-? I shake my fist and say: '?show me! But no one does'So alive, so brave, with strong and hungry hearts;I say, show me one that sings in poverty and smilesProve me one that celebrates year-round of its heroesShow me painters that are as good-that sell on streets-As good as: Picasso, Dali, Rembrandt, and Yang YangAnd that welcomes the world with stretched out arms-Show me all this, or some of this, and I will say no moreWith this,I descend to its streets, its crowed winding streetsAs well as, to its neighborhoods with dust and soiled air,And hear the laughs of the children; the dogs on roofsSights of the shoe-shiners: men and boys, in the parksAnd the numerous food carts; -- musicians, paper sellersAnd with its naked featherless wings, covering all-My Lima, Peru with its renowned Cathedral:Golden yellow with towering crowns, andWithin its plaza-square, a water fountain-celebrated.Under its sins, with its wrinkled aged men, lovely women,They all stand tall and bow to its Inca history, its glory-Its world that once ruled all, like the Roman Empire,Like the American Dream, they were the noble, the kingsAnd now, from drudgery and toil, sweat and strive, all, all Grinding, grinding away, each and everyday, lover of the, King of Kings: Jesus Christ-this is the Lima I know today; a mighty ship that has already sailed the seven seas, now resting!?Spanish VersionLima,La ciudad con las alas extendidasTranslated by Rosa PeñalozaEsta es una noche oscura: no estrellas, ni luna a la vistaSolo puntos: rojo, verde y blanco-luces blancasMientras que el avión desciende, desciende, bajandoA la larga-extendida-plana persistente ciudad de luces Plana como un panqueque, encendida como un árbol de navidad-La despierta ciudad, con sus alas extendidasExtendidas desde las montañas hacia el océanoZigzagueante a través de los valles, bosques y riachuelosEstirando, estirando sus alas desnudas-interminablesMientras,Voy descendiendo, abajo, por encima y alrededor de la ciudad(Descendiendo, descendiendo, y deslizándose a la tierra)La ciudad con las alas extendidas-y luces interminablesAbajo, Abajo, detrás, alrededor, la tierra, es inmune a míSólo soy parte de esta noche, un bautizado en su oscuro océanoInvisible: gente, gatos, perros, pájaros, y ratas, infinidadIncontables: puntos, riachuelos de luz, puntos de luz; Gente: caminando, conversando, durmiendo, comiendo bajo los puntos de luzGente: esperando, matando, robando, rezando bajo los puntos de luzPor mañana, mañana y otro mañanaEllos dicen--:Tu eres implacable, y yo se que esto es verdadY ellos me dicen tú tienes ladrones, y muertes-Y esto, me atrevo a decir, que esto también es cierto, muy ciertoPero muéstrame una ciudad de ocho millones contraria --?Sacudo mis puños y digo: "?muéstrame," pero nadie lo haceTan viva, tan valerosa, con corazones fuertes y hambrientos:Digo, muéstrame una que canta en pobreza, y sonríePruébame una como esa, que celebra alrededor del año a sus héroesMuéstrame pintores tan buenos-que venden en las calles-Tan buenos como: Picasso, Dali, Rembrant y Yang YangY que recibe al mundo con extendidos brazosMuéstrame todo esto, o algo de esto, y no diré masCon esto,Desciendo a sus calles, atiborrada, zigzagueantes callesAsí como su raro vecindario con polvo en el aireY oigo la risa de los niños, los perros en los techosVista de los lustrabotas, hombres y muchachos, en los parquesY los numerosos carros de comida, músicos y vendedores de periódicosY con su desnuda y desplumadas alas, cubriendo todo-Mi Lima, Perú, con su renombrada catedral:Amarilla dorada con su coronadas torres, yDentro de su plaza cuadrada, una celebrada piletaBajo su piel, con sus arrugados ancianos, tiernas mujeres,Todos ellos parados altos, y reverenciando a su historia inca, sugloria-Su mundo que una vez gobernó todo, como el Imperio RomanoComo el sueño de América, ellos fueron los nobles, los reyesY ahora de pesadez, y esfuerzo, sudor, lucha, todos, todos extenuados, fatigados, este y cada día, amantes delRey de los Reyes: Jesucristo-esta es la Lima que conozco, hoy; un poderoso barco que ya navegó los siete mares, ahora descansando?Author/Poet Dennis Siluk, web site: http://dennissiluk. New Poetic Work By Ethiopian Immigrant Promotes Respect, Courage And Cultural Sensitivity McLean, VA - "The Healing Conscious" tells the story of an Ethiopian immigrant boy on his fascinating journey to America and adulthood. Author Kifle Bantayehu, a 23 year-old second-generation Ethiopian immigrant, recounts this poignant tale in poetic format. Two Poems, with Figurative Language Says Mr. Dennis Siluk, when asked to review his poetry somewhat, for he hesitates all the time when I ask him to so; I can tell you. Stones As I picked up some of the polished gemstones in the rock store I began to think about what the stones looked like before they were polished. The store had several rocks on display showing the before and after and I realized that unless you knew what you were looking for, you could easily pass by a valuable gemstone. The Exit Poems [Iron and Fire & No Heroes] The Exit Poems [And Socrates]Iron and FireIron can be soften by fire-grows hard in the cold;and all the gates thereinare, as it was, closed again.So, often are those misled?by luxury and pride,who push humility aside-:thus, redemption their vanityand perfection their virtue?and in the end, they all collided. Feelings, O How Glorious! Sometimes we feel hard-pressed, Our backs against the wall; Sometimes we feel lightheaded, As if we are going to fall.Sometimes we feel fierce angerAt those who misuse guns; Sometimes we feel ashamedOf how we treat God's little ones. Five Mixed Poems, with Notes [now is Spanish and English] 1.Night in Jamaica [Peruvianism: 1810]It was a rainy night they sayWhen don Simon BolivarSlept in the arms of beautiful-Luisa Crober(of Jamaica); thus anAssassin missed his markWhen he stabbed Major AmestoySleeping in the darkIn Bolivar's hammock!. Two Poems Written During Recovery Since my wife and I are moving, or preparing to move, we've been going through our things as most people must, to prepare for the new location, and in doing so, I found two poems, ones I wrote in 1990, now 15-years old, never published, and so I'd like to publish them today. I was a heavy drinker up to 1984 (some twenty years drinking), when I quite, and so these poems must have something to do with it, a slight reflection perhaps. Memoirs of a Wastelands Rim [a Poem: now in Spanish and English] Memoirs of a Wasteland's RimIt still was light when she paused at the wasteland's rim-Over, the rim rest like a sleeping brute, a wooden frameAdjacent to the blue where early stars hung like oil lampsHanging from old beams and shade?the wooden frameHer footing caught the beams, as she had fallen onto itAlone, she watched the forenoon, climbing around herA drifter woman, marked by life, and slanting dreams With appearance of hurt and molded muscle on her faceHer figure etched against the wooden frame,She tried to jump, and lost her balance, hanging like a birdNow sipping the gloom in the ledge and shattered hopesShe yielded before the sluggish advance of sunsetBlood dripped, with her dying darknessAnd a crimson moon hurled a flame acrossThe shadowy clouds, burning throughout the skyThe tormented sky above her?Crossing the valley's floor her eye gripped itRocky images, highest pointsThrusting herself up boldly from to the ledgeThe painted morning blushed over the rimHer brows and nose, face against the granite stoneMassive injuries was taking form,Her silhouette floating so indolently across the sunIt was too great a task-to die alone?she wished nowShe had not jumped?a thousand feet below, yet to go.Too much for any woman in a lost worldOut of the weak wood her mind had peace; She knew soon it would all be over-alasMute and protesting against life's uselessnessA narrow path lay below her slender bodyBetween death and attainment, a careless footThe rocks beneath her weakening, she plungedPlunged to her death, in the carving hands of the valleyThinking of it, as she fell, thinking with a smiled,Saying, looking up-dead before her echoes: 'Time is short?time is short?time is short!'When they found her, her face was unafraid of falling. Catherine Daly reviews Antidotes for an Alibi Amy KingAntidotes for an AlibiBlazeVox BooksISBN 0-9759227-5-02005These poems read to me like poetry versions of flash fiction. Now, I like flash fiction very much, but I like the more fabulistic kind. Never Ever More Once upon a midnight dreary, coffee cold and vision bleary, all night sat there writing COBOL, coding spread across the bed sheets, changing syntax for the mainframe,having checked my final line, I took the floppy from the drive.Typing with a steady hand,I then invoked the SAVE command,but there below my effectuation,appeared the cryptic communication,"Abort, Retry, Ignore" and nothing more. The Man Who Could Not Say Sorry For His Sins Sorry would be a start.Though you cant take back your mistakes, and you cant unravel time,you'd think there would be remorse, for such a self serving crime,to send others out to die, to pay the blood price you have decreed,when its purely posturing and posing, all about vanity and greed,to secure a perceived niche in history, glowing down the years,is the extent of your ambition, is the puny limit of your fears,when those you have sent to die, believing implicitly in you,leave relatives behind who see, that nothing you said was true,there is no thought now for those, whose number you dont count,they are yesterdays forgotten, though daily they still mount,no thought of resignation, no apology to those left behind,just onward with the ego, fast forward from those times,as if nothing ever happened, as if your lies are quite ok,as if now is what to focus on, and then was another day,lost back in the mists of time, obscured by clouds half seen,not an affront to the living, not impeachable and obscene,you may want to move on now, and ignore your past infamy,but you should be tried for treason, and jailed for blasphemy. Shadows of the Andes; Ollantayambo; and Cesar Vallejo [Poems in English and Spanish] 1) Shadows of the Andes [or: Song to the Andes]I shall blend-in, into theMountains-Into the faintest thinShadowsof the mountains!Like the moss on moistenedStoneLike a leaf blown far fromHome?(freshly fallen)!I shall blend-in, clingingTo the mountains-Into its faintest thinShadowsNote: when I arrived back home from Peru, my 7th trip in five years [April, 2005], I had spend about 30-days this time on the trip. I visited the Mantaro Valley, Huancayo, and drove through the Andes. Shakespeares Sonnet XVIII, Shall I Compare Thee to a Summers Day? Shakespeare's sonnets require time and effort to appreciate. Understanding the numerous meanings of the lines, the crisply made references, the brilliance of the images, and the complexity of the sound, rhythm and structure of the verse demands attention and experience. Exalted Poetry; Two poem [and commentary] Bells for Belphegor!.. Looking Out the Rear Window The funeral rite concludedWith the pastor shaking hands,Offering words of comfortI didn't quite understand.The undertakers came forthAnd summoned pallbearers' four. A Hundred and Fifty Dead [Korean War--l952] There I sat, ninety-five degree weatherOutside; the bookstore café, was cool.An Old Timer stood by me, explaining:"There were two-hundred of us on the Island,Near North Korea, back in '52-We guarded 16,000-prisners?"All of a sudden, all hell broke looseThree-hundred North Koreans cameOver the bob-wired fence, in pursuit"It all happened in a matter of secondsThe machineguns killed 150-of themThat's all I saw in the war of '52. Writing Innovative Poetry Writing innovative poetry, the kind of poetry that reputable literary journals publish, entails knowing exactly what each word of a poem does to the reader. A good poem should be evocative, skillful, and cohesive, but before attempting to hone these attributes, a potential poet should be knowledgeable of the various forms and attributes of contemporary poetry.
|
| home | site map | contact us |